#Fender bandmaster speakers pro
#Fender bandmaster speakers plus
#Fender bandmaster speakers professional

#Fender bandmaster speakers plus

These 'high-power' tweed Twin amps would deliver peaks up to 80 plus watts of power when turned high. In the day, players would rarely ever open such high-fidelity amplifiers to their distortional limits. The 5F series Twin utilized the finest heavy duty Concert Series Jensen P12-N Alnico V blue-dome loudspeakers (conservatively rated in 1957 at only 18 watts apiece). The final 5F8-A Twin-Amp version, released in 1958 and produced into early 1960, had become the crowning achievement of Fender fifties amplification. Due to its volatile nature if broken, it was quickly superseded with a GZ34 rectifier but not duly noted on the tube chart until the second production. The upgraded 5F8 Twin-amp of 1957 with its complement of four military grade 5881's was briefly rectified with a tall mercury vapor 83 tube and special tube socket.

#Fender bandmaster speakers professional

This 'hi-powered,' tweed-covered design continued into early 1960, after the other Professional Series of Fender amplifiers had made the transition to the modern brownface design. It was modified in 1957 for more volume, switching to four 5881 power tubes with the more efficient long-tailed pair phase inverter for a power increase to 80W.

#Fender bandmaster speakers pro

By the end of the decade, a JBL 15' speaker was available on special order for the Pro model. Like its predecessors, the narrow panel tweed Fender amplifiers used Jensen Alnico V Concert Series Speakers, for the most part.

The 1Г—12 Deluxe-Amp, the 1Г—15 Pro-Amp and the 3Г—10 Bandmaster are exceptional in dynamics and tone. The entire line of Fender amplifiers from 1955 to 1959 (later for smaller models and Bassman) was uniform in this look-tweed or 'airline linen' covering with a maroon with gold stripe woven saran grill cloth.

The early models of the larger 'narrow-panel' tweeds are also remarkable for their refined electronics whose circuit design incorporated dual 5U4 rectifiers in the Twin and Bassman models, another improvement given Fender's quest for a louder, cleaner amplifier. Dual rectifiers and 6L6 power tubes, twin 12' speakers.ДЄfter the preceding looks of the early 1950s (TV front from 1950 to 51/2 wide panel '52вЂ“54), Leo Fender changed the cabinet design again, this time opting for no extra wood on the front of the amp, except for the narrow top and bottom panels that hold the baffle board to the cabinet.

Many notable musicians have used Fender Twin amplifiers, including Mark Knopfler, David Gilmour, Chuck Berry, Mike Oldfield, The Beatles (1968 Twin Reverb amps using the AC568 circuit), Jimi Hendrix, Eric Clapton, Peter Green, Jeremy Spencer, Danny Kirwan, Keith Richards, Mick Taylor, Steve Jones ( Sex Pistols), Jerry Garcia ( Grateful Dead), Eric Johnson, Joe Bonamassa and Tommy Emmanuel.ДЎ955 Twin-Amp, model 5E8. The Cyber Twin, which combined a tube amp with a digital processor, was introduced in January 2001. Several variations on the amp's original design have been produced through the years, including the Twin Reverb, the Super Twin, the Twin Reverb II, the Twin Reverb '65 Reissue and the Twin Reverb 68вЂ™ Custom Reissues. The Twin has seen a number of revisions since its introduction, both internal and external, with its designs sometimes varying greatly from one year to the next. The amps are known for their characteristically clean tone. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation.